Creativity is an elusive thing. One theory is that some lucky people are simply wired with creative, inquisitive and lateral thinking minds. Biosocial theory for example suggests that creativity is genetic, and thus, geniuses are indeed born, not made. Furthermore it proposes that there is a link between ‘madness’ and creativity.

As a ‘creative’ agency, dna’s currency is essentially ‘creative effectiveness’ – growing businesses, marketing products, generating awareness and creating brands – all in an engaging, memorable, identifiable and hopefully original way.

So, short of employing designers with a history of ‘madness’ or zapping them with electric cattle prods (which I’ve been assured doesn’t work), how can you make others, yourself or an agency more ‘creative’?

The answer lies somewhere within a mix of environmental, cultural, psychological and social modifications – some more obvious than others – a framework to cultivate a creative spirit.

In this 4 part series, I’ll be departing my thoughts (along with some well trodden theories) on the steps needed to create an ideal breeding ground for creativity in yourself and within an agency environment:


INDIVIDUALS & TEAMS

Immerse yourself

What chance have you got of producing something fresh and truly creative if you’ve no idea what is happening in the industry? Not only will you uncover the no-go areas and over-exploited trends but it also acts as a constant reminder of the level of talent out there – raising your bar and challenging yourself and others around you.


Gather inspiration…

Have one eye open at all times to fresh design work and inspirational thinking. Collate things you like or the work of people you admire. Bury your head in books, films, paintings, photographs, conversations, blogs and portfolios, keeping reference either in a note book or a Pinterest page. Consider using online RSS feeds, Feedly, Zeit etc to bring relevant content to you. In this way you can follow trends, and then ignore them.


…but don’t steal (consciously!).

You will learn nothing – no more than you would have by simply viewing the work. Be driven by a desire to have created an exemplary ad, wishing you had come up with the idea. Imitation may be known as the sincerest form of flattery but it’s also the sign of a lacklustre creative – be sure the work is authentic to you. It’s widely considered that nothing is 100% original however – it’s human nature that we are inspired by the work around us, weaved in to our daily lives consciously and subconsciously.

Derren Brown famously wielded his powers of perception and mind manipulation to turn the tables on the advertising experts, subconsciously influencing them to design a preconceived campaign idea they thought to be original, but based on subtle queues they experience en route to the office. It’s a mesmerising watch.

So if you see similar work elsewhere, don’t despair, remember the words of Jean-Luc Godard said: “It’s not where you steal from – it’s where you take them to.”


The world is round

Years of corporate strategies have pounded hierarchies in to flat tiers.
Think of your studio as less of a pyramid and more of an amphitheatre – an open forum for discussion and ideas. Structure teams in a circular formation with a collaborative way of thinking.


Collaborate

Collaboration is fun. Being relaxed and engaged is ideal for idea generation. Work in pairs or groups and encourage others to do so yourself. Bouncing ideas around is always an essential part of a creative process – taking thinking off on new, unexpected tangents. Ensure the session is lead by a decision maker, an arbiter of the creative routes worth exploring – remember, a camel is a horse designed by committee.

Ideas are not to be coveted; they are to be shared, especially in an age of online collaboration – an overly individualistic culture can stifle creativity. Another maxim, ‘two heads are better than one’ has never been more true because great ideas can come from anywhere. Involve as many people as possible in the initial brainstorming session. Give everything away and you’ll get more coming back to you.

Collaboration is not exclusive to internal resources either, it extends far beyond the internal workings of an agency. Some of the best work out there was a product of integrated agency collaboration, each playing to their particular strengths. Networking within the creative design industry can lead to the forging of unexpected creative partnerships.

For more ideas to grow creativity, stay tuned for part 2. Why not subscribe to the dna blog for updates?

(Opinion: Jon Price – Creative Director)

It’s a common question when we’re meeting with new or prospective clients… Why did dna move to Teignmouth? When forming new working relationships, it’s important not to come across as barking mad. So I thought I’d settle this once and for all.

Aside from the obvious logistical and business decisions that considered things like keeping our team happy, moving into a building that offered room for expansion with chillout and photography rooms, finding a location with easy access on main routes… THIS is why this Creative agency moved to Teignmouth… To have a coastline commute, to work from a lovely grade II listed building that accommodates an ever-growing team and have beautiful views out of 7ft sash windows. These are a few photos I snapped on phone during my commute this morning (click to enlarge if you’d like). Case and point. :)

DNA creative design Devon

DNA web design, graphic design Teignmouth, Devon

DNA Teignmouth, Devon, Design Agency

(Jon Price – Creative Director)

I like this Ad. I like the mystery, the ambiguity, the 2-colour graphic novel illustration and it’s immediate impact. But is it a good example of advertising? What is the message? Designers are, by nature, curious animals and it’s this question that appeals to my perspective as a graphic communicator… solving the riddle. In this instance the QR code must be scanned with a smartphone to reveal the true picture of ‘what’s really going on’ in the image. By doing so, the aim is to re-create the experience of how confusing and frightening accidental 911 calls can be for emergency operators. Essentially, scrambled information is difficult to interpret. A nice idea – although it could have technically been taken further by revealing the image using live Augmented Reality, as opposed to a web re-direct to a page with the uncovered picture but I digress.

I suggest you try it for yourself before reading on… :)

However, on a broader scale, I question whether controlling the disclosure of information actually reinforces the message, leaving a lasting impact because of active user engagement and interaction, or if it simply strangles the potential audience-base through their lack of time, technology, technical, know-how (although in this example the target market will no doubt be smartphone savvy), inclination or environmental suitability. It’s a tough balancing act and calculated risk with the end pay-off of active engagement needing to be worthwhile and importantly more memorable than the nature of how you got there.

Does the act of unscrambling the information make the message stronger – or would an adapted image of the girl in her bedroom with the supporting message combined with some preventative directions delivered in one advert have been enough for what is essentially an important public service/community warning that requires maximum exposure?

Has an important message potentially been lost through novelty and gimmicks? Or is it this ingenuity that itself spreads the word (through blogs such as this) much further than a bus stop poster would have ever done?

What do you think?

(Advertising Agency: Station X, Vancouver, Canada)

(Opinion: Jon Price – Designer)

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It’s that time of year again, when all the Christmas TV adverts come out to play. You know it’s nearly Christmas every year when the ‘Holidays are coming’ Coca Cola advert makes its annual appearance. A true Christmas classic.

But this year there is a new kid (or should I say snowman) on the block. The new John Lewis Christmas 2012 advert. The advert depicts a male and female snowman and the male snowman wants to give his partner a nice Christmas gift and decides to go on an epic journey, through forest, river, mountain and road, and city to buy his lady her perfect gift. The snowmans facial expressions really help to engage the audience and to help tell the story of his personal struggle through his arduous journey. He eventually arrives on Christmas Day with his gift and the final scene has them holding hands.

The advert was created by ad agency adamandeveddb and has an updated soundtrack accompaniment of the Frankie Goes to Hollywood classic ‘The Power of Love’ sung by Gabrielle Aplin http://www.gabrielleaplin.co.uk/. Gabrielle is a 20 year old singer signed to Parlophone Records. Her debut album is due for release in 2013.

The combination of excellent concept, exquisite production, perfect soundtrack and emotive story make this advert a masterpiece. John Lewis Marketing Director, Craig Inglis, said: “We know that our customers put real effort and emotion into finding the perfect gift for their loved ones at Christmas. This year’s ad brings that to life, with a creative twist, as we follow our hero on an epic journey.”

For those who have yet to see it, just press play:

Let us know what you think.

We’ve all either watched him, moaned about him, muted him or secretly sang along with him. I am of course talking about the one and only phenomenon, Gio Gompario, and soon we can say goodbye to Gio as he leaves our screens.

Gio first appeared to take Gocompare.com to the next level, injecting fun and confidence into the insurance comparison website. However, Gio soon took a turn for the worst and was voted the most annoying advert for two years running.

Could it be that Gio was still the right move for Gocompare.com? Figures show traffic to the website has increased more than 20% since his birth and the jingle has been voted 2nd in the ‘catchiest jingle’ votes, with Cornetto’s “Just one Cornetto” grabbing first place. Looking side-by-side at Gocompare and Moneysupermarket, however, visitor volumes tell a different story. Moneysupermarket are up 20%, but this is year on year, with a 22% increase in the first quarter of 2012. The exact figures in May 2012 show Moneysupermarket had 3,501,000 unique users, whereas Gocompare.com had 1,029,000. This comparison, along with the heavy media saturation, could spark speculation on the potential Gocompare.com had and how effective their decisions were to move forward.

The latest TV advert for Gocompare (by Dare) features Gio being shot with a missile, effectively ‘killing off’ the character. This, combined with media reports and many teaser billboard ads, confirms our suspicions that Gio is no more. Stay tuned to see if it is the correct move from Gocompare.

(Opinion: Chloe Harvey – Junior Account Executive)